Darren Addy
EF5
I like the following quote:
- sourceThe camera makers have gotten us on the more-megapixels-is-better merry-go-round, much like the auto makers did with horsepower years ago. Do you really need 450 horsepower to drive 55mph on your local freeways? (You Germans driving on the remaining unregulated portions of the Autobahn might have a different attitude here ;~) To some degree it's the same issue with megapixels. If you're doing the kind of printing most people are, you don't need a gazillion megapixels. The 10 and 12mp cameras are more than enough for those working up through the sizes the desktop inkjets can produce, and even the 6mp cameras, used well, can produce very nice images at those sizes.
At the risk of sounding self-serving, what I find is that most people get much more benefit from solid one-on-one instruction (e.g. workshops) than they do from upgrading their camera to the next number of megapixels. That's because they're not optimizing their picture taking actions, and thus suffer from that downstream. Getting more megapixels actually sometimes works against you, as it pulls out even more shot discipline problems and other issues you haven't mastered but now must deal with in the pixels you captured and wish to reproduce. My advice: if you haven't optimized your shooting with your current camera you can't make the assumption that more megapixels is going to help you get the results you seek.
Sure, you want the best gear and are willing to grow into it, so you buy the latest and greatest and retire your old camera. But make sure that you actually take the time to get the most out of that upgrade! Upgrading just to keep up with the number game doesn't net you better photos. Plenty of photo instruction opportunities exist (see ShawGuides, for example), so take advantage of them and optimize your use of your current gear before lusting after the latest and greatest.