Mike Hollingshead
Guessing for most this will be a silly thread/non-issue. Could prove useful for some of the photogs out there.
I've come to the realization that calibrating my monitor's colors works, but at the same time, my shadows become hosed. Leave it uncalibrated for colors(using a spyder) and I can see shadows rather well and highlights. It's just amazing how much worse that gets once colors are adjusted. Brightness is now set even higher than before and it's still worse with shadows than uncalibrated and a darker brightness setting. The monitor is a gateway 2000 around 10 years old now lol...so I'm not shocked or anything.
I have no more room on brightness or contrast, so I just have to replace it finally. Here is one lesson learned today. If you want an LCD that does not change lightness depending on the angle you look at it, find out if the LCD panel is a S-IPS type. This doesn't prove terribly easy since they don't like to list it in the specs! Have to dig around on sites that tried to get a list going. They don't seem to be too cheap, dell has a decent one for $400-$500. Getting the regular TN type chepos just is not an option, since the lightness/contrast changes so drastically depending on the angle you look at it.
But of course even these "cheaper" $400-$500 ones then lack in more areas like gamut range. So do you spend that much to stop $400 or more short of something that has the wide gamut? Anything electronic seems to love to follow this "rule". I'm driving myself nuts today and think monitors may indeed be the worst electronic device to choose on a budget(at least when planning to do photo work with the thing).
Pondered just getting a cheap CRT somewhere but don't know if that is a good idea. I'm fairly open to something between $400 and $1000 but really don't want to "fall short" while spending that kind of money on one. The conclusion I think I'm starting to see is either get a cheap CRT somewhere or spend $1000+ for professional monitor(that's going to take some sales however!). And even in those I'm not totally sure what is important to look for.
CRT grade gamut apparently is the same as 70% adobe rgb gamut...think it was something like that...same as NTSC gamut. Some higher up ones are listing 92% adobe rgb gamut. Some were listing greater than 100%. Others weren't listing that at all and only saying 16.7 million colors. Those I didn't get because that is just 256x256x256(24 bit/8bit per r/g/b)...something even cheap ones list. Not sure why that expensive brand was listing it that way and no gamut lingo. Response time and size aren't terribly important to me.
Umscheid if you read this, what one did you end up getting? Saw in an older thread about calibrating you mentioned an eizo. I'm pondering pretty much every brand and every price range lol...whether I can afford it or not. In a way I have zero choice. Should have done this long ago. McGinnis what do they mostly use where you work? Anyone else have any better one they want to plug?
In the end I could likely get by with a cheap CRT, but think I should take the plunge for a pro one now and get it over with.
Here is a good page of info for anyone needing a new monitor they plan to edit photos with. http://www.clarkvision.com/photoinfo/choosing_an_LCD_monitor/
Finding a good list of S-IPS lcd panel types that is current with prices isn't seeming too easy. It's really annoying this isn't listed readily on spec sheets where you buy monitors online. Probably because most don't use it and don't need people to know.
I've come to the realization that calibrating my monitor's colors works, but at the same time, my shadows become hosed. Leave it uncalibrated for colors(using a spyder) and I can see shadows rather well and highlights. It's just amazing how much worse that gets once colors are adjusted. Brightness is now set even higher than before and it's still worse with shadows than uncalibrated and a darker brightness setting. The monitor is a gateway 2000 around 10 years old now lol...so I'm not shocked or anything.
I have no more room on brightness or contrast, so I just have to replace it finally. Here is one lesson learned today. If you want an LCD that does not change lightness depending on the angle you look at it, find out if the LCD panel is a S-IPS type. This doesn't prove terribly easy since they don't like to list it in the specs! Have to dig around on sites that tried to get a list going. They don't seem to be too cheap, dell has a decent one for $400-$500. Getting the regular TN type chepos just is not an option, since the lightness/contrast changes so drastically depending on the angle you look at it.
But of course even these "cheaper" $400-$500 ones then lack in more areas like gamut range. So do you spend that much to stop $400 or more short of something that has the wide gamut? Anything electronic seems to love to follow this "rule". I'm driving myself nuts today and think monitors may indeed be the worst electronic device to choose on a budget(at least when planning to do photo work with the thing).
Pondered just getting a cheap CRT somewhere but don't know if that is a good idea. I'm fairly open to something between $400 and $1000 but really don't want to "fall short" while spending that kind of money on one. The conclusion I think I'm starting to see is either get a cheap CRT somewhere or spend $1000+ for professional monitor(that's going to take some sales however!). And even in those I'm not totally sure what is important to look for.
CRT grade gamut apparently is the same as 70% adobe rgb gamut...think it was something like that...same as NTSC gamut. Some higher up ones are listing 92% adobe rgb gamut. Some were listing greater than 100%. Others weren't listing that at all and only saying 16.7 million colors. Those I didn't get because that is just 256x256x256(24 bit/8bit per r/g/b)...something even cheap ones list. Not sure why that expensive brand was listing it that way and no gamut lingo. Response time and size aren't terribly important to me.
Umscheid if you read this, what one did you end up getting? Saw in an older thread about calibrating you mentioned an eizo. I'm pondering pretty much every brand and every price range lol...whether I can afford it or not. In a way I have zero choice. Should have done this long ago. McGinnis what do they mostly use where you work? Anyone else have any better one they want to plug?
In the end I could likely get by with a cheap CRT, but think I should take the plunge for a pro one now and get it over with.
Here is a good page of info for anyone needing a new monitor they plan to edit photos with. http://www.clarkvision.com/photoinfo/choosing_an_LCD_monitor/
Finding a good list of S-IPS lcd panel types that is current with prices isn't seeming too easy. It's really annoying this isn't listed readily on spec sheets where you buy monitors online. Probably because most don't use it and don't need people to know.